We are very excited to be able to join up with the British library when Margaret Atwood receives the 2016 PEN Pinter Prize.
On Thursday 13th October we are screening a live broadcast from the British library to see Margaret receive her prize and deliver an address. There will also be a reading of Margaret’s classic book, The Handmaid’s Tale by actress Elizabeth McGovern.
This is a real treat, and not to be missed if, like us, you are a huge Atwood fan. The screening will take place in Room 700 in Central Library from 6.30 – 8.00pm. Tickets are free, but booking is essential. There are a few places left, but you are going to have to be quick! To book a place go to www.ticketsource.co.uk/leedslibraryevents
To celebrate here are a few of our favourite Atwood classics:-
Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he’s staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge. After 12 years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It’s magic! But will it remake Felix as his enemies fall?
Living in their car, surviving on tips, Charmaine and Stan are in a desperate state. So, when they see an advertisement for Consilience, a ‘social experiment’ offering stable jobs and a home of their own, they sign up immediately. All they have to do in return for suburban paradise is give up their freedom every second month – swapping their home for a prison cell. At first, all is well. But then, unknown to each other, Stan and Charmaine develop passionate obsessions with their ‘Alternates,’ the couple that occupy their house when they are in prison. Soon the pressures of conformity, mistrust, guilt and sexual desire begin to take over.
A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet’s syndrome comes to terms with the little people she keeps seeing, while a newly-formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire. And a crime committed long-ago is revenged in the Arctic via a 1.9 billion year old stromatalite. In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle.
The Republic of Gilead offers Offred only one function – to breed. If she deviates, she will be killed. But even an oppressive state cannot obliterate desire – neither Offred’s nor that of the two men on which her future hangs.
With a wickedly sharp sense of the funny, underpinned by a wordly sagacity, this is a collection of poetry about love, about growing older, about family, and about writing.
Toby, a survivor of the man-made plague that has swept the Earth, is telling stories. Stories left over from the old world, and stories that will determine a new one. Listening hard is young Blackbeard, one of the innocent Crakers, the species designed to replace humanity. Their reluctant prophet, Jimmy-the-Snowman, is in a coma, so they’ve chosen a new hero – Zeb, the street-smart man Toby loves. As clever Pigoons attack their fragile garden and malevolent Painballers scheme, the small band of survivors will need more than stories.
Pigs might not fly, but they are strangely altered. So, for that matter, are wolves and raccoons. A man, once named Jimmy, now calls himself Snowman and lives in a tree, wrapped in an old bed sheet. The voice of Oryx, the woman he loved, teasingly haunts him. The green-eyed children of Crake are his responsibility.