This blog is from Chloe, an Assistant Community Librarian based in the West of the city.
Here are my top five recently discovered printmaking books! I found them inspirational in making me want to learn new techniques or explore them playfully in different ways. I’m always looking out for accessible art projects that you can try at home, and the majority of these books have templates to get you started learning techniques before progressing to creating your own designs. I have ranked the following titles in order of my favourites…
Printmaking Unleashed: More Than 50 Techniques for Expressive Mark Making by Tracy Bautista
DIY printmaking at its best, this book is a feast for the eyes with gorgeous combinations of pattern, colour and composition explored through a vast variety of playful mark making techniques! The book covers DIY techniques for all abilities in an accessible and affordable way using common materials to get amazing printmaking results. From creating your own stencils using hot glue, carved wooden blocks or materials such as rubber bands and toothpicks, to printing vintage lace textures or creating Sgraffito Doodles (scratching into acrylic paint on top of Perspex) there is a technique everyone will enjoy and want to pursue!
Examples of other expressive mark making techniques include gesso fabric prints (using resits to incorporate texture onto canvas), digital photography stencils (using Photoshop), silkscreen painting (using an embroidery hoop and acrylic), recycled plastic prints (using interesting patterns on plastic to print), masking tape and crochet string resists, and hand cut stencils.
Making an Impression: Designing & Creating Artful Stamps by Geninne Zlatikis
This book makes you want you to design and make your own collection of stamps for printmaking. It begins with the basic principles of materials required and a selection of templates in the back in order to get you started, then delves into inspiring and exciting techniques.
Aside from creating your own stamps, techniques to try using them to create art work include: stamps with positive and negative space, experimenting with textures of surfaces you’re printing on, and how to create repetition through different angles and colours. There are inspiration ideas for how to use your stamps to create your own personal artwork, as well as a variety of projects to choose from: journals, pillows, t-shirts, and wall art to name a few. My favourite projects I look forward to creating are the bookplate and accordion journal. I’m also particularly excited about the cyanotype (sun printing) technique which I’ve never tried, and exploring positive and negative patterns.
The Printmaking Book: Projects & Techniques in the Art of Hand-Printing by Vanessa Mooncie
This book also covers the techniques relief, screen, sun and mono printing in addition to image transfers and stencils; however it is aimed at transforming ordinary items with hand printed designs. Again techniques are accessible in that they are fun and easy to try at home, and templates are available to help get you started. From ceramic, lino, woodcut, silk and stencil screen printing, there are plenty of projects to try the techniques in: printed plastic jewellery, photographic transfers onto mirror, wallpaper, and solar plates (metal sheets coated in photosensitive polymer which are used as a printmaking surface).
Marbles, bottle and jar lids, string – you name it and I’ve been collecting it to try in printmaking since reading this book! I look forward to trying the book cover project and would be excited to use the silk printing technique. I’d also like to try the negative photograph cyanotype technique as I’d never heard of it before!
How to Print Fabric by Zeena Shah
This book explains everything you’ve ever wanted to know about creating beautiful hand-printed fabrics easily at home, and again this one has templates to get you started. It begins with the importance of mark making (one of the most exciting and experimental aspects in printmaking) and covers techniques including relief and stencilling. It progresses to screen printing for beginners (using an embroider hoop), and advanced stencil screen printing (using Photo Emulsion). It covers useful information about inks, dyes and fabrics and also has a section on the key concepts in print design, including positive and negative space, motifs and various repeat techniques. The rest of the book is brimming with twenty different techniques for printing on fabric, each followed by a simple sewing project. You can also mix and match printmaking techniques throughout the book for any of the sewing projects. Some examples of the techniques include: bleach mark printing, screen printing with freezer paper stencils, lint roller printing, and watercolour mark printing. A selection of projects include tablet sleeves, bean bags and Furoshiki cloths (ancient Japanese cloths used to wrap objects).
I’ve had some bad experiences sewing (perhaps it’s to do with the fact I can’t sew a straight line), but this doesn’t put me off any of the projects! I’d particularly like to use the lino block technique for the tablet cover project, and lino roller printing to make a Furoshiki wrapping cloth.
Art Lab for Kids: 52 Creative Adventures in Drawing, Painting, Printmaking, Paper and Mixed Media by Susan Schwake
This book is a fantastic reminder of how being playful in your approach to making art can produce fantastic results, (you’re never too old to experiment)! With around twenty pages dedicated to printmaking, instructions are easy to understand and ‘quick guides’ to the basic principles of the following techniques: found object, stencil silk screen, string, polystyrene, mono, stencil and relief printing. Each technique includes an example of an artist working with the medium which is inspiring and makes you pause to consider how you could push the boundaries of the technique further. This is the only book I’ve chosen that doesn’t contain templates or projects but this is fine – the results of experimenting with techniques are works of art in their own right.
I got excited about the gelatin technique as the author described it as their most favourite and addictive process! It’s a way of producing textural-looking, layered monoprints without a press… Ink floats on the surface of the gelatin so you can work on your print over a long period of time. However I want to do more research to check the process is animal friendly before trying it out!