#LeedsReadsBookclub – The Art of Dying by Ambrose Parry

Our recommended read and this month’s book club book is The Art of Dying by Ambrose Parry.

The Art of DyingEdinburgh, 1850. Despite being at the forefront of modern medicine, hordes of patients are dying all across the city, with doctors finding their remedies powerless. But it is not just the deaths that dismay the esteemed Dr James Simpson – a whispering campaign seeks to blame him for the death of a patient in suspicious circumstances. Simpson’s protégé Will Raven and former housemaid Sarah Fisher are determined to clear their patron’s name. But with Raven battling against the dark side of his own nature, and Sarah endeavouring to expand her own medical knowledge beyond what society deems acceptable for a woman, the pair struggle to understand the cause of the deaths.

Download the book via Borrowbox(by following this link or downloading the Borrowbox app onto your android or iOS device) in either eBook or eAudiobook format. Don’t worry about having to wait for the book – it can be read by lots of people at the same time, making it ideal for a book club book.

 

 

#LeedsReadsBookClub April/May Title: The Lake House by Kate Morton

The Lake HouseOur recommended read and this month’s book club book is The Lake House by Kate Morton.

It is June, 1933. The Edevane family’s country house, Loeanneth, is polished and gleaming, ready for the much-anticipated Midsummer Eve party. Alice Edevane, 16 years old and a budding writer, is especially excited. Not only has she worked out the perfect twist for her novel, she’s also fallen helplessly in love with someone she shouldn’t. But by the time midnight strikes and fireworks light up the night skies, the Edevane family will have suffered a loss so great that they leave Loeanneth forever.

Download the book via Borrowbox (by following this link or downloading the Borrowbox app onto your android or iOS device) in either eBook or eAudiobook format. Don’t worry about having to wait for the book – it can be read by lots of people at the same time, making it ideal for a book club book.

Below are some topics and questions for you to consider when reading the book. For this guide and more information on the book visit the Simon and Schuster website.

1. The structure of this novel lies in recreating different time periods in Cornwall and London—in the early 1930s and in 2003. Do you feel that the author was successful in moving the reader between the historical and more contemporary times?
2. Thinking about the stories and histories in The Lake House, what themes were most interesting to you?
3. The Lake House is the English translation of Loeanneth, the house’s Cornish name. Have you read other novels in which a house features within the text as vital and alive, almost as if it is another character in its own right?
4. The main female characters, Sadie, Alice, and Eleanor are all strong women with flaws. Is this the way you saw them? Did their imperfections allow you to identify or sympathize with one more than another? If so, why do you think that was?
5. Sadie Sparrow’s job as a detective and Alice’s bestselling crime-writing career has allowed an interesting incursion of the crime genre into The Lake House’s gothic mystery genre. Were you aware of this in your reading?
6. Both World War I and II have tragic and far-reaching effects on the characters and narrative of The Lake House. Discuss.
7. Mysteries, twists, family secrets, carefully placed red herrings, and unexpected revelations are now compelling traditions in Kate Morton’s novels. What parts of the novel were key to your enjoyment of the story?
8. The author poses the often complex question of what moral obligation each character has to another within their particular stories. Were decisions made within the novel with which you disagreed? Or could you see yourself making similar decisions?
9. After Sadie stumbles upon Loeanneth, she’s drawn to it, returning daily and “no matter which way she headed out on her morning run, she always ended up in the overgrown garden.” (p. 135) What is it about Loeanneth that intrigues Sadie? Why do you think she dives head first into solving the mysteries of the estate?
10. What did you think of Eleanor when you first encountered her? Did your feelings about her change? In what ways and why?
11. Many reviewers have praised Kate Morton’s writing, particularly the way she reveals family secrets. What family secrets were revealed in The Lake House? Did you find any particularly shocking? Which ones and why?

Whatever next – clean up your ebooks

Clean Reader‘Do you like your books as they come, clean, or squeaky clean?’ A new app lets you state your preference, remove profanities from the text of your ebook, and replace them with “clean” alternatives.

Clean Reader – “the only e-reader that gives you the power to hide swear words” – sells more than a million ebooks from its online book store. Its app allows users to search the text, and “put a non-transparent ‘highlight’” over anything potentially offensive. The blanked-out word is replaced, when it is tapped, with one judged suitably safe. So in a passage from its online demonstration – “‘Don’t tempt me, you little bastard,’ growled Vyder” – bastard becomes jerk. In a slice of a David Baldacci novel, “Pick up your damn game, Bobby”, becomes “Pick up your darn game, Bobby”.

The creators say: “If there are books you’ve put off reading because you’ve heard they’re full of curse words, chosen to stop reading some books because you weren’t comfortable with the bad language in them, or if you worry about what’s in the books your children read … then Clean Reader is for you!”

 “Will some authors be offended that some of their consumers use Clean Reader to pick out most of the profanity in their books? Perhaps. Should the reader feel bad about it? Nope. They’ve paid good money for the book, they can consume it how they want.”  

Not everyone is convinced- “Edits inappropriately, doesn’t understand context. [Removes] words that have multiple uses and aren’t necessarily curse words, destroying context in written works. Worthless,” wrote a third user.